There are very few filters that can selectively change the colors on certain parts of the scene, and none that I know of that would work in your situation. The best thing I can suggest is to use a low-contrast professional negative film, which also will tend to give really natural colors, and overexpose […]
Written on Sunday, July 20th, 2008 by shonholmes :: 0 comments to this post
There are very few filters that can selectively change the colors on certain parts of the scene, and none that I know of that would work in your situation.
The best thing I can suggest is to use a low-contrast professional negative film, which also will tend to give really natural colors, and overexpose it slightly to give the lab a little bit more density to work with when correcting the colors. For your purposes, I would suggest using Kodak Portra 160 NC, Portra 400 NC. If you prefer Fuji, I would suggest 160S or 400H. Kodak Portra 800 and Fuji 800Z are also really low contrast for a high-speed film.
If you’re concerned about color, too, you can also just use black and white. If the paid pro will be shooting in color, some black and white shots taken by another photographer can really complement what the pro gets. For traditional black and white film, Kodak Tri-X and Ilford HP-5+(both ASA 400) are hard to beat. If you don’t want to fool with traditional black and white materials, Kodak TMAX400-CN and Ilford XP2 Super can both be processed by any minilab. I happen to prefer XP2, although both are great.
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